![]() He occasionally collaborates with periodic illustrated as The Almanac Sports (Ollendorff, 1899), or satirical as Gil Blas.“Circe Offering the Cup to Ulysses” by John William Waterhouse In addition to the National Salon, Minartz exhibited in Paris at the gallery Bartholomew (1903), the Independent Living (1905, 1906) and the gallery Devambez (1909) and received the Academic Palms. In 1903, Henri Béraldi, with whom he worked, praised him in The Journal of ancient and modern art, writing that "it was thirty years ago," and he has received advice from Paul Renouard to be formed the technique of etching Béraldi adds that his favorite subjects are "Paris at night Paris at night, always." Minartz also gives them some high-remarkable in The Journal of ancient and modern art until 1910: balls, cafe concerts, Parisian in their most beautiful dresses, but also music-halls, music halls, restaurants, large and small theaters, are the preferred settings of his compositions. Painter autodidact, Tony Minartz starts to become known in 1896 by exhibiting paintings at the Salon of the National Society of Fine Arts, and then decorates the Pompadour theater of painted panels for fashion shows " Grand Guignol ", directed by L. Tony Minartz, pseudonym of Antoine Guillaume, born 8 April 1873 to Cannes and died in that city on 13 December 1944 Is a painter, draftsman, illustrator and engraver French. Wonderfully matted with matting from Holland and filet from Italy, shrink wrapped. ![]() ![]() Published by Revue de l'Art Ancien & Moderne in Paris, France, 1903. In the foreground, John the Evangelist, holding a pen and writing.Īn original etching by French artist Tony Minartz (1873-1944) titled "L'Avant-Foyer de l'Opera", 1903. In otherwise generally very good condition with strong colors. Typical light signs of wear associated with age. Added paper attached with archival tape from verso to right margin due to close trimming. Small tear and creasing to lower right side. Sheet size (irregular margins): 17.25" x 10.5". There is an example of this work in the permanent collection of the British Museum in London, UK. Provenance: private collection - Cotswolds, UK. Printed by John Baskett, printer to the King's most Excellent Majesty, for Great Britain and to the University, in Oxford, UK and published by Moses Pitt, Peter Parker, and Thomas Guy in 1685. Comes from the "Holy Bible" portfolio, 1685. Signed in the plate by Burghers lower left. Although not as well known as earlier Pre-Raphaelite artists such as Dante Gabriel Rossetti, John Everett Millais and William Holman Hunt, Waterhouse's work is currently displayed at several major British art galleries, and the Royal Academy of Art organised a major retrospective of his work in 2009.Īn original copper plate etching and engraving with recent hand-color on watermarked laid paper by Dutch artist Michael Burghers (c.1647/1648-1727) titled "The New Testament", 1680. Later on in his career he came to embrace the Pre-Raphaelite style of painting despite the fact that it had gone out of fashion in the British art scene several decades before. He soon began exhibiting at their annual summer exhibitions, focusing on the creation of large canvas works depicting scenes from the daily life and mythology of ancient Greece. Borrowing stylistic influences not only from the earlier Pre-Raphaelites but also from his contemporaries, the Impressionists, his artworks were known for their depictions of women from both ancient Greek mythology and Arthurian legend.īorn in Italy to English parents who were both painters, he later moved to London, where he enrolled in the Royal Academy of Art. He worked several decades after the breakup of the Pre-Raphaelite Brotherhood, which had seen its heyday in the mid-nineteenth century, leading him to have gained the moniker of "the modern Pre-Raphaelite". John William Waterhouse (born between January and April 1849 died 10 February 1917) was an English painter known for working in the Pre-Raphaelite style. Besides this one minor hardly-noticeable spot, the etching itself is in excellent condition. One tiny paper surface loss in the image just above "Waterhouse" lower left. Once framed, this will be covered and not affect the image. ![]() Some toning and light foxing on outer margins of sheet - general wear consistent with age. This etching depicts a scene from Greek mythology, the scorceress Circe offering Odysseus a cup containing a portion with which she seeks to bring him under her spell as she has his crew. The original painting is located at Gallery Oldham, Oldham, England. This etching is after English artist John William Waterhouse's (1849-1917) 1891 oil painting "Circe Offering the Cup to Ulysses". About An original etching on wove paper by English artist James Dobie (1849-1923) titled "Circe", 1892.
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